Visual effects are created with Adobe Flash, Adobe After Effects, Cinema 4D, TVPaint Animation, and Sony Vegas.Īudio is recorded and edited with Audacity and Sony Vegas at Greenyworld Recording Studios in Chicago, Illinois and some other studios including the Dreamworks Animation recording facility in Glendale, California and Skywalker Sound in Marin County, California. Mixed animation scenes are made with a blended mixture of hand-drawn, Flash, stop-motion, and/or 3D CGI animation. Stop-motion scenes are made with Aardman's Animate It and TVPaint Animation.ģD scenes are made with Blender and Cinema 4D. The episodes are composed of the following parts:ĢD scenes are made with, Scratch, Adobe Flash, TVPaint Animation, and GoAnimate.
TVPAINT AUDIO MOVIE
The opening titles is made with Microsoft Paint for storyboards and backgrounds, TVPaint Animation for layout, animation, clean-up, in-betweening, painting, checking, and compositing, Cinema 4D for background modeling and texturing, lighting, and rendering, Adobe After Effects for visual effects, compositing, and color grading, Audacity for audio editing and recording, Adobe Premiere Pro and Sony Vegas for video editing, and Windows Movie Maker for video editing and uploading. Former Mock Reviewers for Hire Productions had 65 animators working on the project with 6 layout men, along with members in America and other countries. Season 20 features a whole new animation style, with episodes being made with Adobe Flash, GoAnimate, Aardman's Animate It, Microsoft Paint,, Scratch, Sony Vegas, Windows Movie Maker, EpocCam (both the iPad app and the Windows EXE for the EpocCam drivers), Bandicam, Audacity, TVPaint Animation, Blender, Adobe After Effects, Adobe Premiere Pro, and Cinema 4D.
When the animation was completed, the animation clips of the episode were then exported into either Windows Movie Maker or Sony Vegas for editing and transferring to digital broadcast files. Season 10 features a brand new animation style, with storyboards drawn with, and animation created with TVPaint. The intro was solo animated by Robert Stainton using Cambridge Animation Systems Animo. The final episode is then transferred to a S-VHS tape and after that, transferred again to a Betacam SX cassette (the original master tapes for Season 1 and Season 2's episodes were on Betacam SP tapes), and copies in various formats are sent to broadcasters around the world. For post-production, the video was edited and post-production work performed at The Film & Tape Works in Chicago. The voices are then recorded, mixed at a commercial recording studio, transferred to computer, and then imported into TVPaint for lip-syncing. After the animation was made in TVPaint, they were then exported to either Windows Movie Maker or Sony Vegas 9 for editing. First, episode storyboards would be drawn with MS Paint, printed out, then retraced and numbered with pencils (for those of you wondering, Nataraj pencils imported from India were used to do the job), and then sent overseas to an foreign animation studio, roughly animated, put on 35mm, transferred, and then put into TVPaint for animation, clean-up, in-betweening, painting, checking, and compositing.
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